The myth of Rome in Shakespeare and his contemporaries / Warren Chernaik.Publisher: Cambridge: Cambridge University Press, 2011Description: 298 pISBN: 9781107654075Subject(s): Historical drama, English-History and criticism | Shakespeare, William-Criticism and interpretation | Rome-In literature | Jonson, Ben-Criticism and interpretation | Massinger, Philip-Criticism and interpretation | Chapman, George-Criticism and interpretationDDC classification: 822 SHA 09 Online resources: Click here to access online
|Item type||Current location||Call number||Status||Date due||Barcode||Item holds|
|Books||Mahatma Gandhi University Library General Stacks||822 SHA 09 Q3 (Browse shelf)||Available||50381|
Browsing Mahatma Gandhi University Library shelves, Shelving location: General Stacks Close shelf browser
|822 SHA 09 Q21 The Cambridge Shakespeare guide /||822 SHA 09 Q22 The Cambridge companion to Shakespeare and contemporary dramatists /||822 SHA 09 Q23 Intimacy and sexuality in the age of Shakespeare /||822 SHA 09 Q3 The myth of Rome in Shakespeare and his contemporaries /||822 SHA/K 09 P2 King Lear and its afterlife/||822SHA/ MER P3 The merchant of Venice/||823 ADI/H 111P7 Half of a yellow sun/|
Includes bibliographical references (p. 275-290) and index.
The Roman historians and the myth of Rome -- The wronged Lucretian and the early Republic -- Self-inflicted wounds -- 'Like a colossus' : Julius Caesar -- Ben Jonson's Rome -- O'erflowing the measure : Antony and Cleopatra -- The city and the battlefield: Coriolanus -- Tyranny and empire -- Ancient Britons and Romans -- Postscript : Shakespeare and the repbulican tradition.
"When Cleopatra expresses a desire to die 'after the high Roman fashion', acting in accordance with 'what's brave, what's noble', Shakespeare is suggesting that there are certain values that are characteristically Roman. The use of the terms 'Rome' and 'Roman' in Julius Caesar, Antony and Cleopatra, or Jonson's Sejanus often carry the implication that most people fail to live up to this ideal of conduct, that very few Romans are worthy of the name. Chernaik demonstrates how, in these plays, Roman values are held up to critical scrutiny. The plays of Shakespeare, Jonson, Massinger and Chapman often present a much darker image of Rome, as exemplifying barbarism rather than civility. Through a comparative analysis of the Roman plays of Shakespeare and his contemporaries, and including detailed discussion of the classical historians Livy, Tacitus and Plutarch, this study examines the uses of Roman history - 'the myth of Rome' - in Shakespeare's age"--