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The Oxford handbook of Japanese cinema/ ed by Daisuke Miyao.

Contributor(s): Publication details: New York : Oxford University Press, 2014.Description: xii, 483 p. illISBN:
  • 9780199731664 (cloth)
Subject(s): DDC classification:
  • 791.430 952 Q4
Online resources:
Contents:
Introduction -- What is Japanese cinema studies?: Japanese cinema and cinema studies. Japanese film without Japan: toward a nondisciplined film studies / Eric Cazdyn -- Triangulating Japanese film style / Ben Singer -- Critical reception: historical conceptions of Japanese film criticism / Aaron Gerow -- Creating the audience: cinema as popular recreation and social education in modern Japan / Hideaki Fujiki -- What is Japanese cinema?: Japanese cinema and the transnational network. Adaptation as "transcultural mimesis" in Japanese cinema / Michael Raine -- The edge of montage: a case of modernism/modanizumu in Japanese cinema / Chika Kinoshita -- Nationalizing Madame Butterfly: the formation of female stars in Japanese cinema / Daisuke Miyao -- Performing colonial identity: Byeonsa, colonial film spectatorship, and the formation of national cinema in Korea under Japanese colonial rule / Dong Hoon Kim -- Outpost of hybridity: Paramount's campaign in Japan, 1952-1962 / Hiroshi Kitamura -- Erasing China in Japan's "Hong Kong films" / Kwai Cheung Lo -- The emergence of the Asian Film Festival: Cold War Asia and Japan's reentrance to the regional film industry in the 1950s / Sangjoon Lee -- Yamagata-Asia-Europe: the International Film Festival short circuit / Abé Mark Nornes -- What Japanese cinema is!: Japanese cinema and the intermedial practices. Nitrate film production in Japan: a historical background of the early days / Hidenori Okada (translated by Ayako Saito and Daisuke Miyao) -- Sketches of silent film sound in Japan: theatrical functions of ballyhoo, orchestras and Kabuki ensembles / Shuhei Hosokawa -- The Jidaigeki film: Twilight Samurai--A Salaryman--Producer's Point of View / Ichiro Yamamoto (translated by Diane Wei Lewis) -- Occupation and memory: the representation of woman's body in postwar Japanese cinema / Ayako Saito -- Reading Nishijin (1961) as cinematic memory / Mitsuyo Wada-Marciano -- By other hands: environment and apparatus in 1960s intermedia / Miryam Sas -- Viral contagion in the Ringu intertext / Carlos Rojas -- Media mix and the metaphoric economy of world / Alexander Zahlten.
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Holdings
Item type Current library Call number Status Date due Barcode Item holds
Books Books Mahatma Gandhi University Library General Stacks 791.430 952 Q4 (Browse shelf(Opens below)) Available 52831
Total holds: 0
Browsing Mahatma Gandhi University Library shelves, Shelving location: General Stacks Close shelf browser (Hides shelf browser)
791.430 943 Q7 Homo cinematicus : 791.430 951 Q3 The Oxford handbook of Chinese cinemas / 791.430 951 Q6 Chines cinemas: international perspectives/ 791.430 952 Q4 The Oxford handbook of Japanese cinema/ 791.430 954 791 P9 Bombay cinema: 791.430 954 792 Q2 Producing Bollywood: 791.430 954 82 Q5 Madras studios :

Includes bibliographical references and index.

Introduction -- What is Japanese cinema studies?: Japanese cinema and cinema studies. Japanese film without Japan: toward a nondisciplined film studies / Eric Cazdyn -- Triangulating Japanese film style / Ben Singer -- Critical reception: historical conceptions of Japanese film criticism / Aaron Gerow -- Creating the audience: cinema as popular recreation and social education in modern Japan / Hideaki Fujiki -- What is Japanese cinema?: Japanese cinema and the transnational network. Adaptation as "transcultural mimesis" in Japanese cinema / Michael Raine -- The edge of montage: a case of modernism/modanizumu in Japanese cinema / Chika Kinoshita -- Nationalizing Madame Butterfly: the formation of female stars in Japanese cinema / Daisuke Miyao -- Performing colonial identity: Byeonsa, colonial film spectatorship, and the formation of national cinema in Korea under Japanese colonial rule / Dong Hoon Kim -- Outpost of hybridity: Paramount's campaign in Japan, 1952-1962 / Hiroshi Kitamura -- Erasing China in Japan's "Hong Kong films" / Kwai Cheung Lo -- The emergence of the Asian Film Festival: Cold War Asia and Japan's reentrance to the regional film industry in the 1950s / Sangjoon Lee -- Yamagata-Asia-Europe: the International Film Festival short circuit / Abé Mark Nornes -- What Japanese cinema is!: Japanese cinema and the intermedial practices. Nitrate film production in Japan: a historical background of the early days / Hidenori Okada (translated by Ayako Saito and Daisuke Miyao) -- Sketches of silent film sound in Japan: theatrical functions of ballyhoo, orchestras and Kabuki ensembles / Shuhei Hosokawa -- The Jidaigeki film: Twilight Samurai--A Salaryman--Producer's Point of View / Ichiro Yamamoto (translated by Diane Wei Lewis) -- Occupation and memory: the representation of woman's body in postwar Japanese cinema / Ayako Saito -- Reading Nishijin (1961) as cinematic memory / Mitsuyo Wada-Marciano -- By other hands: environment and apparatus in 1960s intermedia / Miryam Sas -- Viral contagion in the Ringu intertext / Carlos Rojas -- Media mix and the metaphoric economy of world / Alexander Zahlten.

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