Seeing through music: gender and modernism in classic Hollywood film scores/ Peter Franklin.
Series: Publication details: New York: Oxford University Press, 2011.Description: 191 p. : illISBN:- 9780190246549
- 781.542 082 097 3 Q5
Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|
Books | Mahatma Gandhi University Library General Stacks | 781.542 082 097 3 Q5 (Browse shelf(Opens below)) | Available | 53969 |
Includes bibliographical references and index.
I: Music into film: critical cross-fades -- Men's musicology/women's films: meanings of late Romanticism -- Exploitation and seduction: converging responses to popular opera and film -- Into the mists...Subjective realms (and the undoing of men?): film's critique of music -- II: Watching symphonies: cautionary tales -- Symphonic narratives (and promiscuous pleasure): film music and changing perceptions of the symphony in the nineteenth century -- Return of the undone woman: Hollywood's music and the critical history of late Romanticism -- Modernism and 'the Image of the man': Hollywood interprets musical modernism.
There are no comments on this title.