Seeing through music: gender and modernism in classic Hollywood film scores/ Peter Franklin.
Series: Publication details: New York: Oxford University Press, 2011.Description: 191 p. : illISBN:- 9780190246549
- 781.542 082 097 3 Q5
Item type | Current library | Call number | Status | Date due | Barcode | Item holds |
---|---|---|---|---|---|---|
Books | Mahatma Gandhi University Library General Stacks | 781.542 082 097 3 Q5 (Browse shelf(Opens below)) | Available | 53969 |
Browsing Mahatma Gandhi University Library shelves, Shelving location: General Stacks Close shelf browser (Hides shelf browser)
781.360 71 Q6 Improvisation and music education: | 781.49 Q4 Recording music on location: | 781.49 Q5 The SOS guide to live sound: | 781.542 082 097 3 Q5 Seeing through music: | 781.542 Q4 The Oxford handbook of film music studies/ | 781.542 Q9 Music and sound in silent film from the Nickelodeon to The Artist | 781.640 904 1 Q1 Modernism and popular music / |
Includes bibliographical references and index.
I: Music into film: critical cross-fades -- Men's musicology/women's films: meanings of late Romanticism -- Exploitation and seduction: converging responses to popular opera and film -- Into the mists...Subjective realms (and the undoing of men?): film's critique of music -- II: Watching symphonies: cautionary tales -- Symphonic narratives (and promiscuous pleasure): film music and changing perceptions of the symphony in the nineteenth century -- Return of the undone woman: Hollywood's music and the critical history of late Romanticism -- Modernism and 'the Image of the man': Hollywood interprets musical modernism.
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